Direct audience address in Cliff Cardinal’s Huff: Complicity, powerlessness, and sovereignty

Auteurs-es

  • Signy Lynch

DOI :

https://doi.org/10.25071/5nf3yr32

Biographie de l'auteur-e

  • Signy Lynch

    Signy Lynch is working on her PhD in the Department of Theatre and Performance Studies at York  Univeristy. Her research investigates how direct audience address in contemporary performance can help 
    audience members and performers to negotiate the complexities of inhabiting a 21st-century globalized Canada. 

Références

Cardinal, Cliff. (2017). Huff. Toronto, ON: Playwrights Canada Press.

Carter, Jill. (2015). Discarding sympathy, disrupting catharsis: The mortification of Indigenous flesh as survivance-intervention. Theatre Journal, 67(3), 413-432.

Lehmann, Hans-Thies. (2006). Postdramatic theatre. London, UK and New York, NY: Routledge.

Olson, Michelle. (2016). She begins to move. In Ric Knowles and Yvette Nolan (Eds.), Performing indigeneity: New essays on Canadian theatre pp. 271-283). Toronto, ON: Playwrights Canada Press.

States, Bert O. (1985). Great reckonings in little rooms: On the phenomenology of theater. Berkeley, CA: University of California Press.

Tompkins, Joanne. (2012). Theatre’s heterotopia and the site-specific production of “Suitcase.” TDR: The Drama Review, 56(2), 101-112.

Téléchargements

Publié

2018-08-31

Numéro

Summer 2018: Transgressing the nation-state: Constructs of Canadian identity

Rubrique

Article

Licence

Bien que le Centre Robarts détienne les droits d'auteur de tous les numéros et documents éditoriaux de Canada Watch, les droits de chaque pièce appartiennent à l'auteur (actuellement sous licence Creative Commons). Ceci à été la pratique du Centre depuis 1992.

Comment citer

Direct audience address in Cliff Cardinal’s Huff: Complicity, powerlessness, and sovereignty. (2018). Canada Watch. https://doi.org/10.25071/5nf3yr32